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Cameron possibly didn't set out to prove this point, but she has. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe. If you would like to write a letter to the editor, please forward it to letters globeandmail. Readers can also interact with The Globe on Facebook and Twitter.

Read our community guidelines here. Customer help. Contact us. Log in. Log out. Article text size A. To view your reading history, you must be logged in. Log in Register. Open this photo in gallery:. Janet E. Cameron Janet E. Marissa Stapley-Ponikowski.

Special to The Globe and Mail. Published June 7, Updated May 11, Published June 7, This article was published more than 6 years ago. Mark has dropped out of high school, so Stephen is unsure if the school rumours have made their way to his friend. The result is nothing short of repeated, violent homophobic assault that leaves Stephen with a broken nose, arm, and ribs.

What Mark does to Stephen is horrific; however, Mark is never portrayed as a monster. Cameron is careful to show how heteronormative masculinity has also damaged Mark while he has also benefited. In many ways it has trapped Mark in Riverside, without a high school diploma and a pregnant girlfriend, while Stephen escapes to the city and higher education. Stephen leaves Riverside, returns to the city to a male friend who has professed his love for Stephen.


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Stephen is unsure what his feelings are. That is all the resolution that Cameron offers us. The multiple subplots of the novel are left similarly open-ended. Stephen himself is the epitome of this resistance to black and white characterization.

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Cameron rightly resists the impulse other straight authors might give in to of making a gay character flawless in order to make him likable and thus prove that the homophobia directed at him is wrong. Cameron shows him desperately trying to fit in with his straight peers, even when it means saying sexist things and throwing women under the bus. She shows him swearing and lashing out at his overbearing mother, with her tendency to smother him because he is the only family she has.

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  5. It is because of its dedication to grey areas and the intricacies of a young gay character that Cinnamon Toast and the End of the World manages to rise above the coming out genre in which it places itself.