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I can read music, but there is a lack of connection between the notes and the sounds. I am quite serious about pursing an education, if not a career. Do you recommend I brush up my piano skills before taking? I have a 49 key keyboard. I would make sure though, that it is a midi controller, with a modulation wheel.

You can take the course without brushing up on your keyboard skills, because most of the exercises are done on paper or in notation software. First of all thank you for the information you have provided here. I have a few questions regarding an education in film scoring.

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I have no formal training, and have had very little writing experience. I am a mediocre pianist at best, and have no means of accessing the instrument right now. I do have a guitar at home, but have left it to rust. I barely know how to pluck a chord. I know this is something I want to pursue, but I am simply overwhelmed by the daunting task of diving into the unknown so far. I have the following questions for you:. Should I be a maestro at any instrument? Or is a certain level of profiency required at least in my case piano? Is pursuing a degree productive if I want to pursue a career in film scoring?

If so, does the institution matter? Is originality or complexity more important when it comes to the compositions for the audition? However, if you are in highschool, then you are still in a good position to pursue, but it will take time and patience. And not just chords, and pop songs. You need to learn to read music. While it is true that some film composers have been able to make a career without the ability to read music notation, they are the exception. You do not have to be an excellent pianist, but you will need the ability to play in your music into a digital audio workstation DAW.

Once you can read music, you should also learn about the fundamentals of music theory and composition. That is what Music Composition is all about — the fundamentals. But you need to be able to read both treble and bass clef first in order to understand the course. Then it is a matter of practice. Compose as much as you can.

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You can do a lot with free resources on the internet. As far as a degree is concerned, that is a very deep question, because a lot of factors come into play — money, time, where you go to school, who you study with there, what your goals are, how serious you are about film scoring as a career. I would first try to emulate your favorite composers, and listen to as much music as possible. Originality will come later. I recommend going through the free course and the free articles on the site.

Try vigorously studying rhythmic dictations. Listening to a rhythm and trying to write it down by ear. I will be using text from the Bible as part of this piece. At this beginning point, I am very confused on what keys for the soloists to sing and as I am composing pieces for classical orchestra not the large current orchestra , I am unsure on how many instruments would be suitable. If you composed any choral works in classical style, could you maybe give me some handy tips on how to compose a perfect choral symphony?

The complexity and cost of orchestral music makes it difficult to get performed, so orchestras tend to be very selective about the music they choose.

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  • There is a good book, called choral composition, which would probably answer all your questions about writing for choir. After that, I recommend getting a good orchestration book, like the Samuel Adler book, as a reference. You can also listen to my podcast on orchestration, which gives you a decent system for composing for orchestra. Podcast My Principles of Orchestration. Greetings from Boston! I am a composer in my senior year of High School applying to and already attending conservatories in Bsoton and composition is a part of what I will do!

    For my senior project I am composing a piece for our HighSchool band which is small and contains no string instruments aside from a bass guitar. My style and love is classical so would you believe concert band instruments would work fine?

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    Also, challenging music is what I love and how I compose as well, finishing Chopin Ballade no. How should I approach this? I think it is great you have some composers that you are aspiring to sound like, but I would recommend starting simpler. Generally things such as Rachmaninoff Concertos and Chopin Ballades have very intense intricate writing, and they are written from the perspective of virtuoso pianists. My suggestion is to listen to good wind band music, and try to find something you like out of it.

    If you can get your hands on any scores, to see how they are put together, that is also good. Generally I would approach step by step.

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    Start with creating a simple theme, and then expanding that theme into a longer piece, followed by orchestrating it. If you start with orchestration from the beginning without a plan, or without much experience, you can easily get lost in the details and find trouble finishing. I recommend taking the free course, and reading more on the site, as well as listening to the podcast. Is there a way I can show you a sample? I have to submit two solo piano works to a college.

    I do play the keyboard and piano very well,do listen to and play some good classical songs…. I recommend focusing on the fundamentals and creating smaller pieces that you understand. The best we can do is learn our craft, and create from a place of honesty. As far as logging in, make sure you check your email for your login credentials. I am using a french online tool called flat. Maybe other tools exists to do the same but I really recommend teachers of any grade to try something similar with your students.

    Being a piano teacher, I have always wanted to know how to get music published. I started to compose my own method for my students, who seem to get excited when I write music for them! But how to get published is still a big mystery to me. Do I need an editor? Your course, looks really interesting, and something I might enjoy doing….. If you could send me an email on this topic, I would really appreciate it.

    Thanks for your time,. I am not too familiar with the process of being published, but here is a good place to start. I would probably say the best way is to call up several publishers and ask them. My focus has really been on film scoring, and less on concert music so I am not that familiar with the ins and outs of that world. As a general point, I would say to get published your music must differentiate itself in some way. I would think modern publishers are looking for unique composers with interesting viewpoints on the world.

    So as with anything else, master your craft, and publishing will eventually come. Thanks, Laura Harper. Make sure you are logged in. I tried but I have never been able to read or write music. I composed? Can you tell me what I should do? Thanks a lot.

    Twelve Pieces, Op. 40

    This short course explains my philosophy towards composing. If you like the course, then you can sign up for the full paid academy. Beyond that, I have a lot of articles on the site that cover the craft of composition. Chamber music generally implies the music is of a smaller scale than orchestral music.

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    So it could be anything from solo piano, string quartet, or even a chamber orchestra, which generally has one of each instrument not absolute, but generally. Beyond that, you are getting into the realm of symphony orchestra which has much larger groups to work with. I learned to play piano at a young age even though I kind of fell off of it in high school. I can sit down and just play and enjoy it. I have a Mac with Logic Pro X. Any other tips that I might have not already heard to get the ball rolling farther?

    For film scoring, the rabbit hole goes quite deep, because you are required not just to compose, but to deliver a well-mixed final product.